Well, I’ll tell you what it’s like when I actually am famous, which of course I’m not at the moment. But it is nice, I must admit, to see my name in the paper (and I don’t mean in the crime or court section). Of course, since I write regular pieces for magazines, it’s quite [...]
OK, this is silly. I posted a few paragraphs of Beneath Gray Skies into the “analyze your style” site, and it told me Raymond Chandler. I then tried with an except from At the Sharpe End and it told me I was like Ian Fleming.
I was flattered, I suppose, until someone told me that they [...]
A key plot device in my book At the Sharpe End is the use of technology in the financial marketplace – specifically, extrapolating trends to predict future movements (I don’t think I’ve given too much plot away in those few words).
So now what do I see in The Australian?
Maybe machines can do better, or at [...]
It’s been an extremely busy day – an interview with a hotel executive for a magazine interview – lunch with a famous entrepreneur/business executive and a literary agent – taking a vintage Nikon lens to a small camera store for repair – and having a crown fitted after 6 weeks of root canal work on [...]
Two points about “getting it right” when you’re publishing your own work.
First, the actual words in the book. It doesn’t seem to matter how many times you look over a piece of work, the misprints, mistypings and typographical horrors won’t go away. I found this with Beneath Gray Skies and I’m finding it with At [...]
A non-autobiographical story of life, love and death in Tokyo. Coming soon to an Amazon (and B&N, etc.) near you, At the Sharpe End follows the adventures of a British consultant living and working in Tokyo who finds himself in the midst of financial and political chaos at the end of 2008. There’s an embryonic [...]
Well, sometimes he is repetitive – the post-Smiley books (and sometimes the Smiley as well – The Honourable Schoolboy) typically have a lone honest man fighting the System and falling for an unsuitable woman, but the books are written from a genuine sense of outrage, and ring largely true. Sometimes the plots are complex – [...]
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